I am having trouble functioning at the moment, feeling joy, feeling connected to anything, or wanting to be a part of this world. This disconnect can be traced back to early childhood, although I didn’t recognise it back then, it keeps re surfacing in my weakest moments. The problem is, when you feel weak, then your perception of the people around you, and of yourself, becomes distorted; or leaves you open to imagined or actual attack. I have a confession. I have been diagnosed with Generalised Anxiety Disorder, and over the years it has grown into a monster, which has severed my trust in friends, myself, colleagues, humanity and most of my family. I was taught to see the good in everyone, no matter how hard you had to look for it, but this has created a debilitating and confusing cognitive dissonance. Some people, some times, mean you harm. Most people, even family, don’t care about you, and that is not okay, and it goes against everything I was lead to believe as a child. I see disdain in people’s eyes, like I’m a repulsive creature that they want to jettison from the room, and in any state, because I am an introvert, most people tend not to acknowledge me in a group. Their eyes will flicker past me as if I’m not even there, even when I’m speaking, like I’m made of light which is somehow beyond their field of vision, and my words aren’t sticking to reality as much as everyone else around me. This has happened throughout my life. I am a quiet person, and never really learnt how to impose myself fully. I was taught to put others first. I wish I was born male, and although I’m disguised as a woman, something tells them I’m not quite right, and that is why I believe I am excluded and sometimes ostracised. I don’t know how to cope with a deliberately turned back, strategically positioned to block me from a conversation, or the old classic conversation sniper, hungry for attention, devouring words before I have a chance to spit them out. That one drama whore, who everyone else in the room adores, but hates me, and wants me to suffer silently, the scapegoat, locked inside an abusive battle of unspoken contempt, coated with niceties to fool the other people into thinking everything is okay, because the battle is only visible to the ostracised and the perpetrator. For the most part, I have been able to ignore it, to use my invisibility as a power to conjure people inside my head, to write them into existence. The writer gives life, and the reader, is made of better stuff than the flimsy world that the writer is used to, and they listen, they hear my voice, they see my words. I exist, but I resent having to live outside of writing. I’m so alone, and so broken. So lost.
Unbound Boxes Limping Gods: Why I write about LGBTQ characters
I am in a privileged position, because my readers seem to be the most awesome and open minded people I’ve had the good fortune to meet (virtually.) In real life I’m a very private person and therefore won’t usually volunteer information about myself, unless someone asks me. Anyway.. being a writer, allows a certain anonymity and freedom to explore subjects such as gender and sexuality. Katherine De Somme and Alexand Merek, live in a world where their relationship is regarded as a normal part of the social structure. In fact a same sex relationship is something of a non event, in that it is quite ordinary. The other characters rarely comment on it. They are simply two people who have fallen in love.
I adore these two, for so many reasons. Alex is brazen and unapologetic when it comes to her sexuality. In fact I enjoy the ambiguity behind her orientation. It’s fluid. She is what we would describe in the 21st century as bisexual (with an overwhelming preference for a certain Katherine De Somme.) Alex identifies as female, is comfortable in her body, and to a large degree, encourages Katherine to celebrate her own physicality and strengths. Katherine however is more reclusive and shy. She isn’t comfortable in her own body. Her father always wanted a son and she never felt able to celebrate her womanhood. Don’t misinterpret her. She is a strong and intelligent person, but ‘librarian’ would be an apt description. She has a cat and surrounds herself with books. She’s exclusively attracted to women, and before she met Alexand, lived primarily in her laboratory. Technically (and without throwing in too many spoilers) Katherine is a trans character, in that she identifies as both male and female in various stages of her life, although that is fluid too.
Alexand’s identical twin sister, Heyem is also part of what we call today, the LGBTQ community. Although unlike Alexand, Heyem is exclusively attracted to women. Like her twin, Heyem is also unapologetic about her sexuality, but refreshingly, Heyem’s narcissistic tendencies allow her to be even more enforcing of her entitlement to live life openly and abundantly. But as in real life, being a non-heterosexual still encourages marginalisation, especially for Heyem, who isn’t the most socially accepted woman in my cast. Heyem isn’t as likeable as her sister, Alexand, and can be borderline intolerable. This can encourage hidden resentment and homophobia and as exemplified in a story called Maria Thamian Part 2, prejudice lurks beneath the surface of seemingly acceptant and educated groups of people. To be honest I don’t like to dwell on prejudice and instead concentrate on emancipation, but as a non heterosexual myself, I am constantly reticent to share too much with large groups of people. Ironically I’m doing just that now, and I have no idea who is reading this, but I thought I’d over share, so you don’t think me hypocritical for outing my characters and not mentioning anything about myself.
Let’s just say as a child I spent a lot of my time running around with my brother, pretending to be Poncharello from C.H.I.P.s (and although my Nana believed that I secretly wanted to marry Erik Estrada when I grew up, I actually wanted to BE Erik Estrada.) So from an early age I knew there was something different about the way people expected me to behave outside in their world. It contradicted what was going on inside my head. (Yes I am aware that the photograph to the left is frequently used in hilarious homophobic slants around the internet.) Anyway, after years of repression and self loathing (did I mention I was a Christian?) I became more and more introverted. I found I identified as male, and was attracted predominately to women, with some exceptions, (Johnny Depp to name but one) Anyway, backwards in time, there were very few positive LGBTQ role models in the 1980’s when I was growing up. I identified with or possibly was mesmerised by Doctor Who, I loved his independence and strangeness. (But that’s a whole thesis.) So I found myself drawn to strong independent female characters to compensate for the fact I couldn’t identify with many other character types.
And so there came…. Dempsey and Makepeace. Besides, hero worshipping Harriet Makepeace, or more specifically, Glynis Barber, (I actually wanted to marry her..but as James Dempsey would say, “Life is hard, ‘den you die.”) I realised I wasn’t like the other girls. I actually spent a whole year living like Sarah Connor when I was 17. I’d even rigged up my own prison cell to recreate the escape scene in Terminator 2, in my bedroom. I decided I had to do something other than consume snippets from fictitious people’s lives. I had always escaped into books, into writing my own stories, and illustrating them. I’d even written a very bad Dempsey and Makepeace novel in the hopes that I could persuade LWT to regenerate the show and bring it back to life with my magical scriptwriting. Of course that didn’t happen. I am the sort of person who faked my eye test so that I could go to school dressed like Clark Kent.
This is another example of conflicting realities. In my head, I would get to school and find that the other children would be awestruck by the uncanny resemblance I had to the undercover Superman. I would, like Clark Kent, have a double life. By day I was a misunderstood geek, and in reality I was actually a pretty awesome superhero, capable of great feats of courage. People would look at me differently. I wouldn’t be that weird kid who the popular girls only allowed to play with sporadically. I would take off my glasses and they would see, at that point, I was actually someone else. Someone they’d want to get to know. That didn’t happen. It turns out that my glasses were blue National Health glasses, and when I whipped them off in the playground and tried to find my cape, there was laughter (and tumbleweeds) instead of applause. What’s this got to do with non-heterosexuality you may ask? Seriously? Cheryl Moore as Clark Kent? (and yes I love Margot Kidder too) Cheryl Moore has a psychosis. She lived a lot of her childhood imagining herself, or himself, as someone else. This transference is fantastic, when you think about the genesis of becoming a writer. I have to become other people, I love becoming other people, male, female, trans, hetero, bi, etc, you get the gist… Empathy is a weapon, it has been slowly learnt over years of feeling like the outsider. Yes I am bisexual, and yes I identified as a boy when I was a girl, and yes I feel more like a woman now, but human beings are so complex, and I love that about our species.
You are complex, whoever you are, if you’ve managed to read as far as this point. We may not get on, we may not share the same views about sexuality and gender. For example, I celebrated the fact that in the United Kingdom, Gay and Lesbian people can now get married, as of 29th March 2014. (Just as my characters Katherine and Alexand had done, written a few years before the act was passed) I was raised a Christian, and although I’m not a Christian now, I understand that there are so many ways of viewing sexuality from a religious perspective. To be honest, I try to avoid talking about religion in my work, replacing it with spirituality. Although I’ve met some very liberal Christians, (my mum being one of them) I know there are others who wouldn’t recognise me, or some of my LGBTQ friends as fully functioning people with the same rights as everyone else. Well, again, I use this as an example of why retreating from the world can be on occasion quite a cowardly but necessary thing to do in the life of a writer, who just so happens to be non-heterosexual. And no, it wasn’t a choice, as Lady Gaga likes to put it, I was born this way.
Anyway, the point is, from an early age I learnt that who I was on the inside was wrong. That it didn’t match what was expected of me. I’m talking generally here. No one person is to blame. I am lucky as my family are awesome, and when I came out (not by choice I may add) they were very supportive and accepting. However, society isn’t so accepting. From the comments you hear in the playground, to the slants you see written on the internet, to the general homophobic chatter which is used in everyday conversation, when large groups of friends get together. “That is so gay!” is used as derogatory, and probably will be for a very long time.
I can retreat into a world that is more accepting of me, and I can become someone happier. Just like my childhood self tried to be, when she faked her eye test in the hopes of being more accepted by the other children. I am still not comfortable with myself. Like Katherine De Somme, I feel awkward in my own body, and live a lot of my life inside my head. Thankfully I have found a place where I can feel safer, perhaps more displaced between many different people. I am a disembodied soul riding around in the ether. The Lawnmowerman of the 21st Century, minus the psychopathic tendencies to take over the world. I can share my world Unbound Boxes Limping Gods with people who want to travel there with me. I feel overwhelmingly excited that my characters are now living breathing people, and if you are another displaced soul, looking for a place to belong, you are welcome to join me there.